An independent multipoint envelope generator bidirectionally scans the sample without affecting pitch, producing an ever changing waveform output feed to the filters.
The scan cycle, flow, motion, start point and length along with gain, pan, pitch and fine tune are all definable, plus the scan cycle can be disabled and set to static mode.
Filter one is a variable multimode filter consisting of a resonant low pass - band pass - high pass design with variable two or four pole slope, the filter shape and tone is enhanced with the use of an envelope generator as well as key and velocity via midi.
In addition to having ADSR control over the filter the waveform output can also play a part in shaping the contour of the sound.
Filter two is a slightly more conventional filter consisting of a switchable 1 - 2 - 3 or 4 pole low pass design with resonance, again the filter can be influenced via the EG and midi.
Bolted in-between the filters is the LFO modulation, when the LFO waveform is positive it can lift the cutoff of filter one, as the waveform goes into its negative phase it can lift the cutoff of filter two, this produces a gentle or not so gentle sweep of the filters, breathing even more life to the sound.
The signal path then enters Atmospheara.
The track was recorded in Logic on a MacBook Pro and uses only 9 patches.
Each part was independently bounced down before playing the next part, leaving 9 recorded audio tracks at the mixing stage, two of the tracks had a small amount of EQ cut at about 500 Hz to remove some of the energy, plus a bit of automation was then used to control the track levels.
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